Upcoming Events


The Beverage Station: "Labor Day" released online

Lainie Fefferman and I have started recording songs together under the name "The Beverage Station." This song is a snapshot of back-to-school feelings, and also an hommage to one of our favorite pieces of fall music: home / body by Andrea Mazzariello.

blurred photo of students spinning in chairs

Soundpaper, roll 4: Tree Waves released online

A new roll of ambient music to live to, work to, walk to, etc! This one involves many slow overlapping waves of different lengths that constantly modulate the sound, creating a wind-in-the-leaves sort of wavescape. Timed for early autumn. Enjoy.

image of golden soundwaves against a grey background

the beverage station: "one and one" released online

Lainie Fefferman and I have started recording songs together under the name "the beverage station." The first song, one and one is now out!

photo of a coffee cup held in front of a yellow wall with a pothos vine in front

Recent Events...

Beaver Point Hall, Salt Spring Island, BC

Two sets of electronic music exploring voice, audience-phones-as-instrument, and a controlled-feedback instrument.

Lainie Fefferman will use a combination of vocal processing and networked sample triggering to create jaunty grooves and ambient soundscapes that leave the listener woozy like the end of a five-course rooftop meal.

I will play a set of controlled feedback using the sound of the room as a starting point to launch into an atmospheric slow burn that sounds like a mini weather system.

Wayward Music Series, Seattle, WA

Three sets of electronic music exploring voice, audience-phones-as-instrument, controlled feedback, and ambient space jams.

Lainie Fefferman will use a combination of vocal processing and networked sample triggering to create jaunty grooves and ambient soundscapes that leave the listener woozy like the end of a five-course rooftop meal.

I will play a set of controlled feedback using the sound of the room as a starting point to launch into an atmospheric slow burn that sounds like a mini weather system.

Raica will have her modular synth called Bebe play a generative set of ambience and sound efx to drip in and mellow to.

three images of Lainie Fefferman, Jascha Narveson, and Raica

BounceBounce released online

BounceBounce is a three track work distilled from a soundtrack to a dance performance I did with the dance duo E/D in the winter of late 2016, and feels like a snapshot of the particular tenseness of that time. There was a lot of high-intensity bouncing in the choreography, and I recorded a lot of bouncing objects as source material for these tracks, using the rhythms to create time-warped quasi-techno accompaniment. Also making an appearance: recordings of smashing glass, a road-sized concrete saw, footsteps, and lots of fx.

picture of two dancers from the waist down, jumping in mid air, wearing knee pads and running shoes

Soundpaper, roll 3 released online

Soundpaper is my series for ambient music to live / work / exist to. This one features two plucked voices in a pleasantly random wind-chime rhythm rippling out through delay lines over a soft bed of chords and rainy traffic from outside my window.

Just in time for the end of the holidays, the return to work, and unseasonable mid-winter rain.

picture of white grey sound waves over a blue background arranged to look like a wallpaper pattern

Soundpaper, roll 2 released online

Soundpaper is my series for ambient music to live / work / exist to. This one has a bouncy energy to it, featuring four-part counterpoint that sounds like American minimalism squeezed through a Nintendo Entertainment System, accompanied by rhythmic puffs of noise. I've enjoyed living with it – maybe you will, too.

a picture of yellow soundwaves on an orange background arranged to look like a wallpaper pattern

Flash Crash + Remixes released on Carrier Records

Flash Crash was written for cellist Ashley Bathgate and accompanying electronics, featuring live and pre-rendered synths and drum-machines sequenced off of recycled stock-market data from high-frequency trading bots.

The recording comes out on Carrier Records on May 31 and features remixes from five of my favorite electronic music makers: Matthew D. Gantt, Lorna Dune, Lainie Fefferman, Angélica Negrón, and Vladislav Delay.

album cover for Flash Crash + Remixes showing video still of Ashley Bathgate with multiple overlays

Unruly Sounds festival

I'll be playing a set of my "soft noise" music between sets at this annual festival of noisy and new music held outdoors in Princeton, NJ. Read more about it here.

the words unruly sounds written in black handwriting

Sideband @ SUNY Stonybrook

Sideband, the laptop group I'm part of, will be presenting an evening of music as part of SUNY Stonybrook's "Aural Architectures" series.

people in a circle holding a rope with laptops and speakers next to them

Outdoor screening of new video works with New Gallery Concerts

In February I presented two new pieces at an online concert which is being replayed as an outdoor screening.

The first is a new audio/video piece "There's nothing here..." that uses pixel-level animation to explore what happens when things are interpreted as other things.

Also being re-screened is my first video commission: a montage to accompany the recording of Aaron Jay Myers's piece Paroxysm, made from hundreds of photos of NYC walls.

picture of pixel art from video

Carrier Records release party at Public Records!

Join me and several artists from the Flash Crash + Remixes album for a Sunday matinee of electronic music in the gorgeous Sound Room at Public Records in Brooklyn.

On the bill will be: Ashley Bathgate playing Flash Crash itself, Angélica Negrón doing a solo set of plant-and-vegetable-triggered synthy dream-pop, Matthew D. Gantt playing sample-heavy beeps and boops with projected VR, Lainie Fefferman doing processed vocal sing-alongs to found sound, and me playing a short ambient controlled-feedback set.

poster for the Carrier Records release party at Public Records

video accompaniment for Kathleen Supové's Sunday Social

Piano champion Kathleen Supové is presenting a program of works for the Sunday Social series at Super Secret Arts. I'll be accompanying her set with some live video projections.

photo of Kathleen Supové

Ultravulnerable, Act 2: Extra-Visible Activity

Ultravulnerable is a dance / words / visuals project by Erin Cairns Cella and Christopher Shepard. Part 1 of their three-part project exists beautifully as an Instagram document. Part 2 will be a semi-live performance over Zoom (follow project link for the link to request access), for which I created some background synthesized sounds as an accompaniment.

New audio/video premiers for New Gallery Concerts

I'm presenting a new audio/video piece "There's nothing here..." that uses pixel-level animation to explore what happens when things are interpreted as other things.

I'm also presenting my first video commission: a piece to accompany the recording of Aaron Jay Myers's piece Paroxysm, made from hundreds of photos of NYC walls.

picture of pixel art from video

Ashley Bathgate video of Flash Crash at the Novel Stages virtual festival

I'm finishing up a video for my piece Flash Crash for cello-warrior Ashley Bathgate. This festival will feature 30 pre-recorded performances from all kinds of amazing musicians, and is a great way to keep paying gigs alive for all involved.

ashley

new dance work: 8 minutes 17 seconds for Blue Ceiling Dance

I've contributed about 12 minutes of music for the evening-length piece by Lucy Rupert and Blue Ceiling Dance based on the amount of time it takes light to travel to us from the Sun. Science, dance, and sound converge for an evening of astrophysicality.

sun drawing

The Gaits: a participatory smart-phone sound-walk for Manhattan's High Line park

The Gaits, year 8! Co-presented by Make Music New York and

Mark your calendar and download the app for your Apple or Android phone.

HighLine

new dance work with E/D: amplifying the nothing

E/D is the collaborative alter-ego of artists Erin Cairns Cella and Dages Juvelier Keates We're working on a new piece for Triskelion that is going to be DEEPLY STRANGE.

After nearly a decade of collaboration, E/D's latest work amplifying the nothing finds the duo in a noxious all-inclusive getaway. Washed up and in a post-solar-storm, E/D inhabits a world without truth. Stability is gone. Fear abounds. Utilizing ritual, repetition, game, E/D dangles in obfuscatory oblivion. Floating within a hypnotic soundscore crafted by Jascha Narveson, E/D grapples with being an "us" without a "them."

ed-photo